Jim Marshall, a photographer of iconic images of rock, blues and jazz musicians, died on Wednesday, March 24 in his sleep in New York City. He was 74. He was in New York as part of a publicity tour connected to Match Prints, a joint book project with the photographer Timothy White, in which images from the two photographers are juxtaposed according to common subjects or themes.
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Jim Marshall, 74, a notoriously abrasive photographer who helped establish rock-and-roll's public image with his intimate and iconic portraits of Janis Joplin, Bob Dylan, Johnny Cash and other performers in the 1960s and '70s, was found dead March 24 at a hotel in New York. The cause of death was not immediately known.
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Jim Marshall, celebrated in music circles for his iconic, attitude-laced images of Jimi Hendrix, Bob Dylan, Janis Joplin, the Rolling Stones and other '60s rock luminaries as well as equally revered portraits of Johnny Cash, Miles Davis, John Coltrane and myriad folk, country, jazz and blues artists, died Wednesday in New York City. He was 74.
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One of my favorite possessions is Not Fade Away, the book by photographer Jim Marshall. I received it for mybirthday from my brother in 1997 and since then, the hardbound collection of black and white stills has been taken down from the bookshelf once or twice a year. I spend a week or so leafing through Marshall’s candid, intimate photos, rereading his recollections and marveling at the artistry of each shot. There is an effortless quality to Marshall’s photography that is difficult to pull off. He was a master.
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Rock-and-roll photographer Jim Marshall died on Tuesday at the age of 74. If you’re not familiar with the man himself, you’ve certainly seen his work: he was an official photographer of the Woodstock Festival, the only photographer allowed backstage at the Beatles’ final concert in 1966, and he shot more than 500 album covers. Marshall was known to gain intimate access to the musicians, sometimes even going so far as to live with them, in order to create truly vulnerable portraits. He continued to work after the days of psychedelics and electric guitars, and more recently worked with the likes of John Mayer and Ben Harper. Marshall was scheduled to promote his new book Match Prints this week, written with fellow photographer Timothy White.
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