Herbie Hancock, Monterey Jazz Festival 1963

Open at Leica Gallery Boston, an exciting exhibit of black-and-white images captured by Jim Marshall with his Leica camera.

Peace symbol

At the new HM Electric Gallery (65 Nile Street, N17RD) is a selection of Jim Marshall's stunning black-and-white photographic studies of the peace sign, from "Peace," the new book of his work, published by Reel Art Press.

Peace symbol

On display at ACA Galleries (529 West 20th Street, New York, NY 10011) is a selection of Jim Marshall's stunning black-and-white photographic studies of the peace sign, from "Peace," the new book of his work. The peace sign is a symbol embraced by the counterculture movement, which remains relevant as the universal message of free speech, opposition to war, nuclear disarmament, and hope. Marshall documented how the peace sign transformed from an antinuclear message to the universal symbol for peace.

Jazz Festival Poster

At Leica Gallery San Francisco, an exciting exhibit of images, largely unseen until now, from the new book of Jim Marshall's photography,  Jim Marshall: Jazz Festival, published by Reel Art Press.

Acclaimed for his rock 'n' roll photography, Jim also loved jazz. It was his first love. From jazz clubs to jazz festivals, Jim recorded the 60's jazz scene in stunning black-and-white clarity.

Jim Marshall exhibit at Leica Los Angeles

 Open at Leica Gallery Los Angeles, an exciting exhibit of images, largely unseen until now, from the new book of Jim Marshall's photography,  "Jim Marshall: Jazz Festival," published by Reel Art Press.

Acclaimed for his rock 'n' roll photography, Jim also loved jazz. It was his first love. From jazz clubs to jazz festivals, Jim recorded the 60's jazz scene in stunning black-and-white clarity.

Gallery hours are Monday to Saturday, 10am to 6pm and Sunday, 12pm to 5pm.

 

 

Jimi Hendrix, Summer of Love, at the Panhandle

The GRAMMY Museum® will celebrate one of the most pivotal years in music — and the photographer who captured it — with a special limited showing of Jim Marshall's 1967. Organized by The San Francisco Arts Commission in conjunction with the 50th anniversary of San Francisco's Summer of Love, the exhibition will feature a selection of 60 images from the thousands Jim Marshall took while he documented history in the making.

Jimi Hendrix, Summer of Love, at the Panhandle

FOR IMMEDIATE RELEASE

GRAMMY MUSEUM® TO SHOW ICONIC SUMMER OF LOVE-ERA PHOTOGRAPHS BY LEGENDARY ROCK PHOTOGRAPHER JIM MARSHALL

LOS ANGELES (Jan. 26, 2017) — The GRAMMY Museum® will celebrate one of the most pivotal years in music — and the photographer who captured it — with a special limited showing of Jim Marshall's 1967. Organized by The San Francisco Arts Commission in conjunction with the 50th anniversary of San Francisco's Summer of Love, the exhibition will feature a selection of 60 images from the thousands Jim Marshall took while he documented history in the making. This special exhibition will be on display through May 14, 2017.

american civics: voting rights

American Civics Opening Reception: Friday, January 20  8–11pm | Public Exhibit: January 20 – February 10

Jimi Hendrix, Summer of Love, at the Panhandle

The San Francisco Arts Commission Galleries presents Jim Marshall's 1967, part of a citywide celebration of the 50th anniversary of the Summer of Love. The exhibition features a trove of photographs taken by Marshall that capture the vitality of the neighborhood and the multiple scenes and movements that called the Haight and San Francisco their home. The exhibit features a selection of 80 images from the thousands Marshall took in one fast-paced calendar year.

SF Jazz Center exhibit

 A free street exhibit of twenty-four photographs from Jim Marshall's new book, "Jazz Festival," in the windows of the vacant San Francisco Unified School District building, opposite the SF Jazz Center.

The images include those of Tony Williams, Joe Henderson, Dave Brubeck, Miles Davis, Mary Lou Williams, Sonny Rollins, John Coltrane, and Charles Lloyd.

This installation is the result of a partnership of the estate of Jim Marshall with the SJ Jazz Center and Reel Art Press (the publisher of "Jazz Festival" ).

Pages